{news} In the studio with Glymjack

Back from the fringe, Paul was straight into the studio to record drum parts for the second Glymjack album (Paul's first with the band). Expect a release sometime in early 2020.

{blog} Back from the fringe/BBC Radio Theatre Group recording

The Edinburgh Fringe continues to marvel me, even after 15 years of doing this. I got back in the early hours after 91 performances in 3 weeks. Exhausting? No. I had a lovely time. Really, honestly lovely.

If you're ever tempted to give the Edinburgh Fringe a go, here's some tips:

1) Pay well over the odds for central accommodation, even better if it's en-suite. Last year I did it on the cheap and slept on a sofa for a month. Don't do this, it's not good for your health. My fringe this year worked because I could nip home for a cat nap, several times, and I didn't have to queue for a shower in the morning.

2) Wear comfy shoes. Nobody is judging your style of footwear at the fringe, and it's full of cobbles, so wear thick shoes that will last.

3) Eat lots of honey. My fiancee told me this and she's a genius. I lost my voice a week in, but a jar of honey did the trick.

4) Get 8 hours sleep. Ignore what they say about eating healthy and not drinking too much - I lived off pizza and was in 'networking' meetings that involved plenty of booze pretty much every night and it's fine. Sleep cures everything.

5) Don't do four shows a day....

Okay, so I was doing four shows a day, but I drink a lot of caffeine. My play, Harvey Greenfield is Running Late, was a real success...I mean, I've always liked doing it, but it's so nice to see others have enjoyed it, too. The Scotsman gave it 4 stars and audience reviews were consistently strong. There's much more to come from Harvey, including a film version soon, discussions for that began before Edinburgh when a filmmaker saw a preview version. History of Pop continued to pack out rooms and be as (intentionally) shambolic as ever, and it was an absolute joy to drum for Dominic Frisby - a fine comedian, who put together a cracking show. My own stand-up show was mostly ignored but I'm fine with that, the show was always planned to be my final stand-up hour, after 5 years of doing this, so I could focus on other projects, it kind of whimpered out but honestly, there's so many good things happening, I can't complain.

Much in the pipeline, including the BBC Radio Theatre Group recording my 4-episode sitcom, Technically Single. This has been brewing for a while and it's all very exciting (I wrote it 7 years ago), they're recording it a BBC Broadcasting House. When I was there last month to watch the auditions I was a bit of an excited tourist so, you know, I need to be cooler, somehow.

In the meantime, back to the drumming and drum teaching. In the studio with Glymjack this week to record an album with them, there's a Fred's House tour soon and lessons resume on Thursday. Technically fully booked up apart from Monday mornings, but as always drop me a line if you're interested and we can try and sort something.

Anyway, I'm rambling...I hope your summer was lovely!

{news} Four stars from the Scotsman for Harvey Greenfield

Paul is currently at the Edinburgh Fringe, performing in four shows a day. His play, Harvey Greenfield is Running Late, picked up this 4 star review from The Scotsman….

Harvey Greenfield Is Running Late, Sweet Grassmarket – Grassmarket 3 * * * *

Has the show started? Is everyone here? When’s the door going to be shut? These are the questions asked by a frantic man on stage who may or may not be in character.

Written and performed by Paul Richards, it follows the journey of an idiosyncratic 38-year-old man, Harvey Greenfield, as he becomes overwhelmed by other people’s demands on his time. It is, we are told, based on a true story – apart from one bit.

Like an alternative Ferris Bueller, rather than having a day off, Harvey is simply trying to get to work for a meeting, but keeps getting phone calls from his mum, girlfriend, the guy at the garage, the lawyer of a cyclist taking him to court, someone saying something about a funeral...

A self-described “strangely ugly Hugh Grant type”, his naivety and inability to cope in the modern world is simultaneously charming and horrifying. He gives money to every weird charity that asks, gets into the kind of scrapes Just William would be proud of, and has a relationship with a competent and beautiful girlfriend that shouldn’t work, but somehow does.

The escalating web of chaos is skilfully scripted in the vein of a classic film comedy, while detours into Harvey’s childhood chart his development from a painfully nervous teenager to someone who is almost able to function.

This is a transformation of Hollywood proportions but, as the pressure builds and Harvey’s mind starts to melt, the piece highlights the more serious consequences of taking on too much to a point where it impacts on your mental health. “Which bit’s not true?” an audience member asks after the show’s finished, as two others wipe away tears. “The ending, obviously,” says Paul, or Harvey – which presumably means everything else is, and it’s sadly all too recognisable.


{news} Two reviews for Harvey Greenfield is Running Late

Paul has had two more reviews for Harvey Greenfield is running late, both from authors/writers who have seen the show over the last week.

Review by Michelle Golder
An intricately constructed show that inspires both belly laughs and heartache. Paul Richards plays Harvey, whose kind heart is out of control. Running as fast as he can to meet the needs of those he loves - and avoid the demands ofthose he’d rather leave behind - Harvey never quite makes time to deal with his own issues of loneliness, insecurity, and bafflement at a world that seems too big for him. It’s true fringe: no set, one man and some impressive voiceover cameos by two actors, playing I lost count of how many characters, but the superb writing and Richard’s gawky, engaging, and fearlessly truthful presence raise it from storytelling comedy to proper drama. His delivery is hyperspeed and relentless – I ended the show feeling I’d missed some of the many layers, but that just made me want to see it again. Well worth the hour spent.

Review by Tracey Norman
I began this year's Fringe experience with this cracker. Paul told us early on that he had had a long drive to reach Barnstaple and had had three cans of Red Bull. I have no idea if this was true or part of the show, but if it was true, then I was surprised that it was only three cans (I reckon it was actually five minimum). Paul's shows zing along with barely contained energy as his latest beautifully observed, socially awkward, well-meaning character crashes headlong towards disaster in what had to be the WORST DAY EVER.

Poor Harvey Greenfield - lovely, sweet, well-meaning chap who just can't say no. To literally anyone.This habit, which endears him to all around him, from his partner to his boss, causes him nothing but anguish as he hares around trying to please everyone - all in spite of his girlfriend's pleas and warnings.

Harvey's life is a car crash waiting to happen and happen it does, in an ending that I half-expected, but really hoped he would avoid. Because no matter how manic, or frustrating or cringeworthy Richards's characters are, you genuinely feel for them as they fumble, bewildered (mostly), through their lives. I wanted to sit Harvey down in a nice cafe and give him a strong cuppa and a pasty, frankly. And that is part of the joy of Richards's performances (as well as wondering just how many words he can say in one minute!) In just a few short (awkward) minutes, he has you totally on-side. I hope that he will be back again next year and am looking forward to seeing what heart-wrenching poignancy will accompany the Red Bull in 2020...

{blog} Love, work, many exciting things

It’s been a while since I wrote a blog post on here, which can only mean one thing: things have been really busy. Okay, it could mean two things, the latter being that I’ve forgotten, but I promise that’s not the case.

Drum teaching-wise it’s all been a bit frantic. Alongside my private students (all of whom are doing brilliantly, a couple of them have even formed bands recently which is awesome), I’ve started teaching at yet another school and I’m looking forward to their students developing into happy drummers.

Gig-wise, I’m enjoying gigging with Glymjack and their extremely technical tunes, and Fred’s House are deep in rehearsals working on new material ahead of a tour later in the year.

The Edinburgh Fringe is a bit close, isn’t it? I’ve had a lovely time with my Harvey Greenfield is Running Late show, I mean - it’s physically exhausting to perform, but let’s be honest, I drink too much beer and eat too much junk food, so a show that involves me running on the spot for an hour can only be good for my health. I’ve had a great time with that show at the Brighton and Swindon fringes, plus the private performances, and it’s heading to the ever wonderful Theatrefest in Barnstaple for three nights this week. I’m looking forward to three weeks of that in Edinburgh. History of Pop also returns for another intentionally shambolic singsong, and I’ve got another new show, All of this Must Count for Something. It’s technically a stand-up show, about my plans to quit stand-up, which will happen as soon as the final Edinburgh show is done. I’ve enjoyed experimenting with stand-up over the last five years and have had some brilliant nights (and some really awful ones, of course), it’s taken me all over to the country and even America to perform, but it feels right to focus on my theatrical shows…I’m trained in theatre and it feels right to go back to focusing on that, I was never really a stand-up, I just got accidentally pigeonholed as one and went along with it. For five years. Touring, relentlessly. My final Edinburgh stand-up hour will be a speedy one, because I have a lot to say and only 60 minutes to say it in! Either way, it’s going to be a brilliant Edinburgh Fringe this year, I know it is. I’m also drumming every day for the very great Dominic Frisby, which will be fun.

There’s still BBC radio sitcom stuff ticking over in the background, and some publishing bits and bobs in the pipeline, more on that soon when I’m in a position to reveal details.

Oh yeah, and I also got engaged last month! But everyone was expecting that anyway. She’s amazing, she totally gets me more than anyone else and I’m a very lucky boy.

{news} Edinburgh Fringe plans

Paul has now confirmed his Edinburgh Fringe plans, he'll be performing the following shows for all three weeks at the festival in August:

11.30am: Harvey Greenfield is Running Late @ Sweet Grassmarket

2.15pm: The Complete History of Pop in an Hour @ The Globe Bar

6.45pm: All of this Must Count for Something @ Bar Bados

The latter show was originally booked, and intended to be Paul's show, My First Eleven, in which he met all of the players from the first ever Spurs game he went to. Sadly, one of those players, Justin Edinburgh, passed away recently, so Paul felt it would be insensitive to continue with this piece. He'd like to thank footballers Neil Ruddock and Vinny Samways for their help with this production, as they were most cooperative with the show before Mr Edinburgh's sad passing. The replacement show, All of this Must Count for Something, is Paul's fifth and final stand-up hour.

{news} Edinburgh Fringe tickets onsale

Tickets for Paul’s show, Harvey Greenfield is Running Late, are now onsale for the Edinburgh Fringe run. You can by them here.

Paul has two other shows heading to the fringe, My First Eleven, and a third consecutive year for The Complete History of Pop in an Hour, both of those will be non-ticketed.

{news} Where the Magic Lives

Paul, this time as an actor, has just finished playing the role of Don in Where the Magic Lives, a short comedy written by Joshua Broadstone. Filmed by the award-winning Mini Mammoth Films, more information soon.

{blog} New show, new adventures, new students

I keep thinking that I can’t possibly accept any more private students as a drum teacher, but somehow I manage to juggle things about a bit to make it work. I think I have enough now; 31 private students and 5 schools, there’s a point where I’m just being greedy but, well, I’m enjoying running these lessons and the students seem to be really into it, too.

It’s been an exciting time as a drum teacher; we recently had our first ‘Paul Richards drummers showcase’ show, where 19 of my students performed live for the first time in front of a friendly public audience. They all stormed it (playing a song or two each) and I was so proud it was almost emotional. I remember my first gig vividly - August 12th 2000, and it’s great that my young students now have their own memories of their first ever show to treasure. I’ve also recently had the pleasure of running a drum workshop in Derbyshire…it’s the first time in a while I’ve had to run a group session to a mass amount of people but we had an amazing time and I’d love to do it all again soon.

Elsewhere, my new show, Harvey Greenfield is Running Late, opened last night at the wonderful Swindon Fringe Festival. Gotta be honest, this a show that is stressing me out a bit. The plot is simple: Harvey is a man who has recently had a car crash so, without transport, has to run everywhere, and is constantly late…for everything. His stress levels build to a frantic climax.

Performing it hasn’t been easy for two reasons: 1) it’s 32 pages of solid dialogue and 2) I’m really unfit. It’s a solo play I’ve written for myself but never knew it would be this physically intensive. It really works, though, and the audiences seem to enjoy watching me, well, struggle. Next stop is Brighton Fringe, before it heads to festivals in Barnstaple, Brighton, Reading, Buxton, Finland and 25 days in Edinburgh. I’d best start going to the gym, or something.

In the meantime, as a drummer, the new-look Fred’s House re-launched with an epic, sweaty, sold-out show at the Ent Shed in Bedford, and I’ve been rehearsing hard with the relentlessly complicated Glymjack ahead of summer festival dates with them.

Anyway, back to my Easter ‘break’, which mostly involves booking more things in and arguing with my other half about how many drum kits I’m allowed in the house. She’s out at the moment; I wonder if I can sneakily buy a new Ludwig and hide it in the spare room?

{blog} 2019, then

A lot of friends have made very drastic new year's resolutions as 2019 kicks in, but I feel kind of grateful that I'm not in that boat as such. Basically, mine were: get into classical music, drink less beer and more wine, try and sleep 8 hours a day and watch more films. Other than that, I go into 2019 feeling unusually optimistic about things.

Christmas was lovely, but, for the first time in my adult life (and I'm 37) it was the first time I've given myself more than two consecutive weeks off. The three weeks I took out from shows/recording/teaching were mostly family-based, but I did also write my new show, Harvey Greenfield is Running Late. Well, a first draft of it, at least. It's nice writing a show without being pushed for a deadline, it's been a while since that happened, but the tempo of the piece is far from leisurely. It's a frantic, punch-in-the-gut sort of play and it'll knacker me out performing it, but I really like the story that's being told. It needs work, but it's more than on schedule at the moment.

We've also got some huge History of Pop shows coming up. It's a show that's served me well over two Edinburgh runs, but I'm all too aware that shows that work at the fringe aren't necessarily going to be instantly successful on tour, so we're adding, editing and rewriting for a whole new type of audience. It's exciting, though, we're in some awesome venues.

Band-wise, what with Griff leaving Fred's House at the end of last year after the frankly amazing tour (we'd known for a year, he gave us plenty of notice, even if we didn't announce it until October), we've have to regroup and recruit, but we're thrilled with our new member (not sure if I'm allowed to announce it on here) but it's a very different sound so we're locked away in rehearsals until the gigs start again in April. In the meantime, I've been rehearsing with the very wonderful Glymjack, a folky-type band with strings and everything, ahead of some shows with them, and I also drummed on all 12 tracks of Steve Logan's cracking new album.

The drum lessons continue to be lovely and I often feel guilty for getting paid to have so much fun, but I remember not having fun for many years and getting paid terribly for it, so maybe it's just my time? I'm fully booked up, by the way, but do message me if you're in Cambridge and in need of lessons as I'm always of the impression that I can find more hours in the day, in particular on a Sunday evening.

January is also the time when fringe applications go in and many plans are made. That's what happening right now, but until those plans are confirmed I have the odd spare hour at the end of an evening, hence why this was the longest blog post ever...

{blog} It's beginning to look a little bit like Christmas

The plan was to write this blog every month, but real life has got in the way...which is a good thing, because it means I'm too busy doing exciting things (touring, writing, teaching, recording) to be sat at a PC writing about myself. I comfortably predict that my next post on here will be in 2019, so we may as well get festive now because it's December next week. 

It's been a frantic couple of months; on a 'normal' level much has changed - I've moved house (in with my lovely girlfriend, which officially makes me a grownup), I've bought a sensible car (a people carrier - which not only means I'm a grownup, it means I am becoming a boring one too) and went on holiday to America (where I got a bit obsessed with Alcatraz and have since bought many books about it...). On a career level, I've got more drum students than ever and many of them are starting to gig now, which is amazing. I've been on tour with Fred's House to promote our third album, Careless - we're packing out huge rooms at the moment and having the best time ever on the road, suddenly feels like this 8 years of hard work is starting to pay off...also, The Complete History of Pop made a successful West End debut and continues to be the show that has never failed me. We're touring it next year, all over the country, before bringing it back to the Edinburgh Fringe. I've never had a show that has lasted 3 years before, but we keep finding new ways to freshen this one up and it's a hit with audiences so I should probably just be grateful. 

Anyway. Christmas. I've written a new book, The Other Side of Christmastime, which is out on 30th November...it's 11 short festive monologues/stories, it took me ages to write so please do buy it (it's available on Amazon) if you're into that sort of thing. I've also got a new comedy show, We Only Meet Up at Christmas, launching in December, which I'm sure will be fine once I've finished writing it. 

Lots happening, with next year looking even busier. More soon, in the meantime I'm amazed that you've read all this, if you have - well done, you.

{blog} Back from the fringe

Another year, another Edinburgh Fringe done. This one felt a tad more challenging due to the fact that I attempting more shows than ever this year (4 solo shows a day, plus opening the Cambridge Comedy Collective gig every night) alongside keeping an eye on Little Sparks, the play I wrote, which was also running. To add to the already exhausting schedule, I caught shingles in the first week, which slowed me down a tad. Despite all of this, though, the fringe remains the most exciting month of my year (replacing Christmas, now I'm 37 and slowly growing out of it) and this year was no different; a magical, arty world of great shows, wonderful moments (such as being in the house band for John-Luke Roberts), seeing old friends, meeting new friends, saying hello to people who have been watching my shows for years and years. I performed 97 times over a 22-period and, despite now being totally knackered, had an amazing stay in the beautiful city. The reviews were good and I even got a tasty writing commission out of it...massive thanks to everyone who helped made that happen. 

My three and a bit weeks in Edinburgh were book-ended by band festival gigs, from the superb (Cambridge Rock Festival, Catfest) to the soaking (Camp Bestival - a cracking event but hit by some of the worst storms in Dorset's history...), reminding me that out of my comedy/theatre bubble I am very much a drummer. Our third album (as Fred's House) comes out at the end of October and it's honestly a career highlight. Plenty of shows coming up with them soon, and I'm back to the drum teaching next week. In the meantime, however, I am treating myself to my first three consecutive days off this year...I predict I'll get bored after 2. 

{blog} It must be the summer...

The plan was to write a blog post for this page every month, but real life has just got a bit frantic. In a good way. Summer is here, which can only mean one thing: Richards is panicking a bit about the fringe. I'd be lying if I said all of my shows are looking the way I want them to at the moment, but that's what these many previews are for, isn't it? And that's why those previews are either free or very cheap entry...by the time they all head to Edinburgh, though, they'll be sharp and I'll be as comfortable as a professionally awkward man can be. I'm directly involved in seven different Edinburgh Fringe shows this year, five of which I'm also in, the other two I've written. It's going to be a crazy one, but they keep on letting me do my thing and people keep coming to see me so as long as that continues...

Had a lovely time at Barnstaple Theatre Festival in Devon; such a lovely part of the world, such a nice festival and such nice audiences. I ran my Short Plays for Marvellous People there and picked up a bunch of positive reviews in the process, which is cool. Other previews have been...well, they're happened. I'm now also the resident 'comedian' for Folk on the Green, having had a successful first show there recently. 

Band stuff has been great, Fred's House have been gigging a fair bit, two new singles are out and the new album is done, we just need about 6 months or so to sort out the PR for it before going off on tour again. It's honestly the best thing we've ever done, we're very proud. It's a bit dark, this one, but we're proud all the same.

In the meantime, as a drum teacher three of my regular students have now joined bands, having only started playing in January when they started lessons with me - this makes me everso proud! I was a guest teacher at Sidney Sussex College the other day which was great fun; everything is pretty much how it should be at the moment. 



{blog} Award, shows, tours...

After all of the careful planning earlier this year to make 2018 the most productive year of my career, naturally last month - typically the first proper busy four weeks of the year - was a crazy, frantic mess. In a good way, but with so many projects, often in different parts of the country, any scheduled time-off went straight out of the window. April was a brilliant month, though.

Hastily following a shaky private preview around my mate Jo's house, I took my Short Plays for Marvellous show to the Swindon Fringe and had a brilliant time. The audience were onside throughout, the review was great and I won the award for "Best Comedy Performance" at the festival, which was nice.

A few days later I was back on tour with the band in support of our new single. With shows in Bath, Salisbury, Maidenhead, Isle of Wight, Bedford and Milton Keynes, it's been a good fun so far, with many more in the pipeline. 

All of this alongside the continued drum lessons across Cambridgeshire; I'm getting a great deal out of these, I can feel that I'm becoming a better teacher with every session, whilst still making sure the emphasis is on fun and the students actually enjoying being drummers, often for the first time. My schedule is bursting with new pupils every week (across several colleges/schools and 20+ private students) but I can't help but take on more...

In the meantime, Edinburgh Fringe preperations for various shows are going well. Little Sparks, with a full cast, is turning into a beautiful thing and I've got five other productions heading up there this year, too. Okay, 'preperations going well' is probably a bit strong, but we'll be fine, yeah? 

{blog} Where exactly did March go, again?

Well, March just flew by in a flurry of teaching (now at 5 different colleges with a growing number of private students...if you're up for drum lessons with this lanky rascal then get in touch ASAP as I'm running out of hours!) and fabulous creative activity. 

I'm getting all excited about my play, Little Sparks, now we've confirmed a 5 night run at the Corpus Christi Playhouse ahead of 3 weeks at the fringe; I'm flattered to have my first-choice team of actors bringing this to life. Rehearsals haven't actually started yet as half the cast are in Cats, but there's a nice schedule in place and it's in good hands. In the meantime, I've been working hard on my If in Doubt, Listen to Joe Jackson show, and even harder in booking in a tour for it - more on that soon! My other active show at the moment, Short Plays for Marvellous People, was on tour throughout the month with shows in Cambridge, Birmingham, London and Southampton, all of which I enjoyed a lot. And, on a final comedy note, the latest edition of Let's Face the Music and Bants (the night I produce for The Plough, Shepreth) was an absolute cracker. That's an evening that didn't work initially, but now we have a dedicated audience who totally get it and the guests are wonderful every time...looking forward to the April one very much indeed.

Musically, we went all theatrical and filmed the promotional video for the new Fred's House single, Never Gonna Love You, which is a big budget, lavish affair. Our somewhat extensive tour starts in April and it'll be great to be back on the road with these guys, we've been so busy in the studio working on the album that we've barely gigged since the China tour. In the meantime, I've been gigging with Gavin Chappell-Bates (including his album launch) and Claudia McKenzie, all of these shows have been really fun.

I've had a rare bit of time off over Easter, so a great chance to actually see friends, family and my girlfriend, but I've also been writing a new musical at the same time...we'll see if that ever sees the light of day. I'm currently involved in 4 different productions that are heading to the fringe in the summer, as well as band touring work and 25-ish hours drum teaching a week so maybe I have enough on at it stands. We'll see!

{blog} A month of writing (with a little rock)

I started the last blog post by saying that January is typically the quietest month of the year - for gigs that is. Very true, but February is a very close second. It's very much a month when it feels like the live scene is starting to wake up again after a massive hangover, or something. I've had a few live shows in the second month of the year; there's been a couple from Fred's House (an acoustic folk gig and a wonderful electric one) and a couple of stand-up bits and bobs. It's mostly been a month of writing, though, because let's face it: the rest of the year looks a bit daft already. 

I've got three new shows on the go - alongside Short Plays for Marvellous People which opened in London in January and will be touring a little in March, I've got two rather lovely shows confirmed for the Edinburgh Fringe this year. This year's solo show is called IF IN DOUBT, LISTEN TO JOE JACKSON, and is the show I've wanted to write for years. Anyone who knows me well will know that I'm a massive fan of JJ, and whenever I feel low, insecure or just over joyously happy, whacking a bit of Mr Jackson on my record player is the thing that is very much my safe place. The show went through various different titles, such as 'Lanky Man Lost in China,' and 'The Better World of Paul Richards' before settling on this ambitiously musical theme. I'm hoping to tour record stores with it in the summer, as it's the sort of show that would work well surrounded by the glorious smell of 45s, and then it runs for all three weeks in Edinburgh - I'm back at the Globe Bar, 2.15pm, the same slot/venue I had last year and I'm thrilled to return to one of the friendliest venues ever. 

The other show we have confirmed for Edinburgh is a play called LITTLE SPARKS, which runs in a paid venue (I try to do everything with the Free Fringe but such is the technical requirements of this piece, we've had to go for a theatre space with stage lights). I'm really excited by this one, mostly because I'm not in it; I am purely the writer and producer. It's a play that has developed from a short story I wrote a while back, about bored fire wardens in an office, frustrated by the actual lack of fire. It's essentially a love story, but it's full of petty arson and we're having a great time bringing it to life. It'll be directed by the wonderful Emily Starr and stars Alan Hay and Stephanie Swan. The show is set for a full Edinburgh run at Jury's Inn, 1.05pm. This production is proving to be very expensive to put on, so we have a Crowdfunding page here if you'd like to chip in, in return for some cracking rewards:  https://www.gofundme.com/little-sparks-edinburgh-fringe

There's a couple of other shows I'm trying to get over the line for Edinburgh this year, more on those soon. 

In the meantime, I'm still teaching a lot of great young students; my client list is seemingly growing daily and I get to work with so many kids who are annoyingly talented considering most of their ages aren't even in double figures yet! There's so much talent out there; the next generation of drummers are all jazzy yet rocky, flexible and, if I get my way, smiling a lot. I'm still playing a lot myself - Fred's House are gearing up for the forthcoming tour to promote the new album, and I'm also gigging with Gavin Chappell-Bates, having played on his latest release which is out soon. 

February was a nice month; March just looks a bit crazy, however...

{blog} New Year, New Projects

Typically, January has always been the quietest month of the year...a time to work out what I actually want to achieve over the next twelve months, which projects I should be pushing. With that in mind, I was determined to hit the ground running this time around, and made a 'short' list of 19 things I'd like to work on. I mean, a few of them will naturally be put aside, but 2018 has got off to a good start, creatively at least. My new solo show, Short Plays for Marvellous People, opened at the lovely Etcetera Theatre in Camden. It's a work-in-progress, but it feels like good work that has certainly made progress since the initial private readings and the audience were onside throughout. It's a show that will tour in March/April, with a proper theatre run in June and then the Edinburgh Fringe in August. At the moment it feels like a notepad of lovely ideas, rather than the show it could be, but it'll get there.

Talking of the fringe, I've recently nailed the second draft of a play I've written that will be heading north to the biggest arts festival in the world. I'm not in this one, instead preferring to hand it over to a cast of proper actors, all of whom are amazing. It's called Little Sparks and is a dark comedy about fire; the initial read-throughs and cast discussions have been great and we're all keen to take this as far as possible.

In the meantime, the final sessions for the third Fred's House album have been great, with strings and brass added, and we've just had the double A-side masters back. We're off on tour in March and I can't wait to get back on the road with those guys. I've also been working with my old mate Gavin Chappell-Bates, having drummed on his lovely new album (which is out next month, I think), and I'll be playing a few live dates with him.

Alongside all of this, I've been teaching drums to students of all ages and abilities across Cambridgeshire and I'm having a great time doing so, there's a couple gaps left (mostly Monday evenings) if anyone fancies it. I've also launched a new crash course, in which I reckon I can make anybody into a drummer in 6 hours. Up for the challenge? Drop me a line!